Friday, July 25, 2014
PLACERVILLE, CALIFORNIA
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Photographs give a unique picture

By
From page B9 | February 24, 2012 |

The de Young Museum presents “Arthur Tress: San Francisco 1964″ March 3 to June 3. This is the first museum exhibition of a virtually unknown body of Tress’s early work.

In the summer of 1964, San Francisco was ground zero for a historic culture clash as the site of both the 28th Republican National Convention, the “Goldwater Convention,” and the launch of the Beatles’ first North American tour.

The young photographer Arthur Tress arrived at this opportune moment in the city’s history and found himself in the midst of large-scale civil rights demonstrations and chaotic political pageantry. With a unique sensibility perfectly attuned to this quirky metropolis, he set about to capture the odd spectacle of San Francisco.

Over 70 photographs included in “Arthur Tress: San Francisco 1964″ exhibition range from public gatherings to impromptu street portraits, views of the peculiar contents of shop windows and commercial signs.

Curator James Ganz explained, “This exhibition offers an evocative time capsule of the City by the Bay and makes a fascinating contribution to the region’s rich photographic legacy.”

Exhibition

The subject matter of “Arthur Tress: San Francisco 1964″ breaks down into three broad categories: public gatherings, including civil rights and political rallies; portrait studies of San Franciscans; and views of shop windows, commercial signs and architectural fragments.

Often these categories overlap. In photographing events such as the Auto Row demonstrations, Tress was interested in recording passive bystanders, as well as active participants.

His candid images of spectators lining the streets of San Francisco, whether isolated or in groups, capture the distinctive fashions, expressions, and body language of the era. The frequent incursions of commercial logos and signage add to the contemporary flavor of the photographs, effectively fixing time and place.

The exhibition captures the flavor of San Francisco without featuring its most familiar monuments. Tress’s approach to the city was idiosyncratic, generally avoiding popular tourist sites such as the Golden Gate Bridge and Chinatown, while favoring mundane locales like laundromats and coffee shops.

“Tress is a photographer of people rather than landmarks. Given the option of pointing his lens at an attraction like Coit Tower or at a tourist observing the monument, he will always favor the human element over the architectural setting,” observed Ganz.

Artist

Born in 1940, Arthur Tress was raised in Brooklyn and started experimenting with photography in his teens. After graduating from Bard College in 1962, Tress traveled internationally for four years as an ethnographic and documentary photographer.

It was during this international tour that he spent the summer of 1964 in San Francisco focusing his lens on city life.

Tress developed his San Francisco negatives in a communal darkroom in the Castro District and mounted two small exhibitions in North Bay galleries that summer. He went on to pursue a long and accomplished career in photography that continues to this day.

Exhibition catalogue

“Arthur Tress: San Francisco 1964″ is a striking volume highlighting prints as well as an assortment of contact sheets and archival materials selected in close collaboration with the artist.

Featuring an insightful introduction by exhibition curator Ganz and a conversation with the artist, the book is a remarkable document of the time and place in which the photographs were made, and a work of art unto itself.

The catalogue is published with the assistance of the Andrew W. Mellon Foundation Endowment for Publications. Hardcover is $34.95, $31.46 for members

Organization

This exhibition is organized by the Fine Arts Museums of San Francisco and curated by Ganz, curator of the Achenbach Foundation for Graphic Arts.

At 2 p.m. on March 3, there will be a related program in the Koret Auditorium at the de Young Museum with Arthur Tress in conversation with Curator James Ganz, followed by a book signing.

The exhibition will be held at the de Young Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, San Francisco.

Museum hours are Tuesday through Sunday, 9:30 a.m. to 5:15 p.m., Friday, 9:30 a.m. to 8:45 p.m. and closed on Monday.

For further information visit the Website at deyoungmuseum.org or call 415-750-3600.

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